page2

This was a such a fun and vibrant reading, exactly my cup of tea.

The author Marguerite Abouet spent her childhood in Ivory Coast in the 70s before moving to Paris, and Aya is based on her memories of those happy days. It was a time when Ivory Coast was going through a peaceful economic boom and this book is meant to portray an Africa that’s not about war, disease or poverty. I does exactly that, but I just couldn’t completely escape the knowledge that it won’t last.

But anywhoo. I loved Aya. It’s one of the best comics of the year so far and I can wait to read the second one. There’s nothing mind-blowing about the story, it’s just a snapshot of the lives of a group of middle-class teenagers: they study, date, are acutely aware of social norms, follow the fads and rebel against strict parents. And yet, Yopougon in the 70s is a fascinating place to read about, full of colour, hope and energy. It’s at the same time familiar (heavily influence by their former French colonizers) and completely foreign.

AyaAya, the title character, is a steady-fast teen that seems to be the moral compass of her friends and neighborhood – not in a holier-than-thou way, she’s just reliable and principled. Her father’s reaction when Aya told him about wanting to become a doctor is a great example of how this apparently mild book is in fact about more serious social topics.

Clement Oubrerie’s illustrations perfectly complement Abouet’s writing, with their vibrancy, warm and creative angles.

At the end of each book there’s a section about Ivory Cost, where different characters give us recipes, teach us how to tie a skirt the Ivorian way, etc. It’s a cute detail that helps us connect even more with this small community.

I think this is the one comic book I’ve ever read not only written by an African author, but actually set in Africa – can you recommend any others?

The story has been adapted for the big screen, here’s the trailer in French. It gives you a good feeling for the book.

***

Other thoughts: Brown Paper, Good Books & Good Wine, the book nest, Escape in a book, Book Addiction, Page 247, Buried in Print, Biblioglobal (yours?)

Previous mini-reviews in the mystery category: Malice (Kyoichiro Kaga #4) by Keigo Higashino, narrated by Jeff Woodman and Hounded (Andy Carpenter #12) by David Rosenfelt, narrated by Grover Gardner 

18404195

The Dead Will Tell (Kate Burkholder, #6) by Linda Castillo, narrated by Kathleen McInerney

An Amish family is murdered after a botched robbery, but no one is brought to justice. Thirty-five years later, a series of mysterious murders all have in common a connection to that almost forgotten horror. Chief of Police Kate Burkholder is chosen to investigated and the case will strike a chord with her: many years ago she was also part of the Amish community before deciding to leave.

The story was interesting, mostly because of what I learned about the Amish. Castillo really captures the tension between them and the “English” community in what (I thought) was a realistic way. The book also had good pacing and characterization, especially for a relatively short mystery, but the actual plot was less catching (whodunnit easy to figure out). Don’t have much to say about it – it’s one of those books that get a solid three-star because it was good but don’t produce any strong feelings. I’m afraid I’ll forget all about it in a year or two…

When books are told in the first person a good narrator is essential, and in this case Kathleen McInerney discreetly but confidently became Chief Burkholder. She was a good choice for this book – her voice is expressive but calm, which suited the Amish theme, but could also handle the action scenes. Also, she was comfortable with German words and sentences. I’ve added a couple of books to my Audible wish-list because of her, so that’s a good sign!

MissingYou_Coben_lgMissing You by Harlan Coben, narrated by January LaVoy

Yes, that rarest of things: a stand-alone mystery book. But one that was not my cuppa. The story revolves around Detective Kat Donovan, who’s persuaded by a friend to enter an online dating site. On her first time browsing profiles she comes across one with the photo of her first love, but under a different name.

This triggers a plot that involves kidnapping, live burials, mafia, prostitution, closeted parents, mental illness and I don’t know else all wrapped in coincidences that should be confined to Dickens. And don’t get me started on the romance *eyes rolling to the back of my head* Sorry to be this blunt but it’s a short post and it’s that kind of day and that kind of book.

I know Miss Susie, my fellow mystery category armchair judge, disagrees with me, but I felt that LaVoy’s narration was often over the top – she positively purred at some points (see her interpretation of a drunk guy trying to pick up women at a bar). On the positive side, LaVoy’s narration style really matched the book, so she was a good casting choice. I guess?

17910157Providence Rag (Liam Mulligan #3) by Bruce DeSilva, narrated by Jeff Woodman

A bit like Malice, Providence Rag puts a twist on the typical sequence of a mystery plot, which made him stand our from the other books.

During the start of his career as an investigative reporter, Liam Mulligan helps police arrest one of the youngest serial killers in recorded history. The community wants him in jail for life, but a loop-hole in Rhode Island’s law dictates he must be free at 21. Through a series of fabricated charges the killer has been kept in jail, but now one of Liam’s colleagues decides to report on these illegalities, igniting the anger of the justice system and general citizens against the newspaper. While Liam’s colleague pursues a story that will likely release the killer, Liam goes after a legal way to keep him behind bars.

It’s an interesting premise and ethical dilemma that actually sparked a good debate at my dinner table one night. I had fun with the different characters and the way the story was told, with different POVs and with interludes, although I wouldn’t mind a more fleshier characterization of the main people.

Providence Rags probably has the biggest number of speaking parts of all the books in this category and Woodman really does an amazing job in distinguishing each one of them. Often it’s a very subtle different, but just enough for the listener to easily follow a dialogue without getting confused about who’s talking. He managers several different accents, intonations and pitches, which is a hard thing to pull off and a sure indication of the narration’s quality. My first audiobook by him, but definitely not the last.

18214414The Silkworm (Cormoran Strike #2) by Robert Galbraith, narrated by Robert Glanister

The only book in the list that I listened to before Armchair Audies started, and by far the story that gave me more pleasure to follow. I like to think I’d feel the same if it wasn’t so famous, but who knows? The fact is: JK Rowling is an amazing story-teller and her characterization is on a different level from any other on the mystery list.

This second novel sealed the deal and I’m now completely engaged in the lives of Cormoran Strike and Robin Ellacot (and shipping them hard!). It’s also one of those books where you can tell the author is having fun in writing about the publishing business, exposing its dirty little secrets.

As an narrator, Glanister started off with an advantage because I can’t resist a British accent ;) He doesn’t get as many opportunities to shine as Woodman (see above), but for such a deep voice, it’s pretty impressive the range Glasnister managers to pull off. He doesn’t make women sound too whinny or childish and is the perfect voice for Cormoran (rough with teddy-bearish glimpses). There were some characters that could easily come out as stereotypes if read by a less professional narrator, but Glanister keeps them well under control.

My perdition for the 2015 Armchair Audies mystery category

I’d say it’s a call between Jeff Woodman and Robert Glanister, but since I have to chose one, I’ll go with Woodman. Mostly for his flexibility and creativity in creating so many distinct characters in Providence Rag.

The best of luck to all nominees!

ExcellentWomenWhenever I think about escapist fiction, fantasy is always the first genre to come to mind, but lately I’ve come to realize that my ultimate comfort reads might be Persephone-style books: mid-20th century stories about women, where at first glance nothing much seems to happen.

Mildred Lathbury is a 30-something single woman living in London in the 1950s. Between church affairs and a part-time job at a genteel women’s support association she leads a quiet and contented life. The novel starts when the flat below Mildred’s is rented by an exotic couple, so Excellent Women is sort of a gentle version of the stranger-walks-into-town plot.

Mildred is the personification of the “excellent woman”: capable, nice, practical, dependable, part of the background until someone needs a favor (cooking a piece of meat, instructing movers, organizing a jumble sale, writing notes to estranged husbands). Pym is fantastic at kindly exposing the quirks of these excellent women as well as those who take advantage of them.

I really loved Mildred, mostly because, against all odds, she’s not naive and has an acute understanding of her social standing. Together with her wit, this makes for a sarcastic and self-deprecatory internal commentary that’s great to read. She’s also (internally, at least) proud of her slightly drab and genteel independence. Ultimately, Mildred is someone I’d love to be friends with and someone I’d likely be if I’d been born 60 years earlier.

‘Now, Julian, we don’t want a sermon,’ said Winifred. ‘You know Mildred would never do anything wrong or foolish.’

I reflected a little sadly that this was only too true and hoped I did not appear too much that kind of person to others. Virtue is an excellent thing and we should all strive after it, but it can sometimes be a little depressing.

Also, it is a truth universally known that an excellent women must be in want of a husband. Everyone assumes Mildred’s in love with every unmarried men in her vicinity, especially the vicar, and some of the funnier scenes happen when he gets engaged and Mildred is comforted as if she missed her final chance at married and a happy life.

Mild spoilers ahead

Reflecting back, the ending prevents Excellent Women from being a Happy Novel. It’s charming, no doubt, but in some ways sad. There is humor in Mildred, and fierce independence, but also fatalism. For a moment I though she’d have a happy ending with Everard because I let myself imagine that he really liked her (was the meeting at the church really just a coincidence?). I was ready to describe Excellent Women as a gentle love story.

But then that final dinner happens, and Mildred doesn’t leave in a burst of righteous indignation. And I realize that Pym isn’t that sort of author. There will be no miraculous make-over, no over-heels-in-love knight in shinny armor, the austerity of daily life continues and her “excellent-womaness” persists. If they eventually get married (as a follow book of Pym suggests) Mildred will likely just become a married excellent woman.

End spoilers

It’s one of the best books of the year so far, so if you like quiet stories with thoughtful, rich characterization, you won’t go wrong with this one.

***

Other thoughts: Vulpes Libris, RA for All, Meet Me in the Library, Hogglestock,  A Guy’s Moleskin Notebook, Lakeside Musing, Lizzy’s Literary Life, The Indextrious Reader, Booklust, Shelf Love, Desperate Reader, Book Snob, Girl With Her head in a Book (yours?)

quizPicture round: movies by Richard Attenborough

… the worst ever. I only got 2 right (TWO!). And I call myself a booklover…

  1. Who was the feminist author of “The Women’s Room”, “The War Against Women”, “Women’s History of the World” and “From Eve to Dawn”? [Answer: Marilyn French]
  2. How many days did it take Phileas Fogg to get around the world? [79]
  3. What was the title of A. A. Milne’s second collection of stories about Winnie The Pooh? [The House at Pooh’s Corner]
  4. In which novel by Tolstoy does Konstantine Levin appear? [Anna Karenina]
  5. What is the name of the omniponent head of state in 1984 by George Orwell? [Big Brother]
  6. In which Charles Dickens novel does the character Alfred Jingle appear? [The Pickwick Papers]
  7. What did George Eliot described as “Snowy, Flowy, Blowy, Showery, Flowery, Bowery, Hoppy, Croppy, Droppy, Breezy, Sneezy, Freezy? [The months]
  8. To which literary figure was Anne Hathaway married to? [William Shakespeare]
  9. From which former province of Spain did Cervantes’ Dom Quixote come from? [La Mancha]
  10. Which well-known children’s story was written by Swiss author Johann Weiss? [Swiss Family Robinson]

How many would you’ve gotten right?

brontessmCredit: Hark! A Vagrant

I have a dysfunctional relationship with the Brontës. I often find myself rolling my eyes at all the DRAMA! in their stories, which I usually go out of my way to avoid in other books. I rebel against Charlotte’s negative portrayal of my beloved Brussels and her snide remarks about Jane Austen. I cringe at Emily’s glorification of an abusive hero. I go a bit easier on Anne because I have a soft spot for her – she has her sanctimonious moments, but I’m anxiously waiting for the day when the world realizes she’s the true ground-breaking feminist in the family.

The truth is: I can’t get enough of them and can’t think of a more interesting family (maybe the Mitfords come close?). It’s almost like I’m also a Brontë sister, always bickering but loving them all the same, vigorously defending them from outside attacks.

I’m also a proud member of the Brontë Society, and its Brussels Bronte Group  branch (post about our weekend in London). I’ve read many books about the family and since Charlotte’s birthday is coming up, I’ve decided to start celebrating earlier with a list of my favorites. Have you read any of them?

51Hre4BoOvL._SY344_BO1,204,203,200_The Brontës by Juliet Barker
(Previous reviews: Part I; Part II)

This is on my top-3 favorite biographies of all time. It’s huge, but it reads like a 300-page Sarah Addison Allen novel. It starts with Patrick Brontë’s youth and arrival in England and goes right through to the family’s growing popularity after everyone’s been long dead.

Juliet Barker’s approach is that a reliable biography of each Brontë cannot be done in isolation, since their lives were too connected and they constantly inspired each other’s work. She’s also in the business of myth-busting.

x

41QR7VCP9HL._SY344_BO1,204,203,200_The Brontë Myth by Lucasta Miller

Like Start Trek, each new generation creates a new zeitgeist version of the Brontës. Miller examines the way these perceptions change over time by taking a comprehensive a look at all body of work produced about the family.

The impact of Gaskell’s The Life of Charlotte Brontë was especially interesting to read, as well as the ripple effect of the cinema adaptations of their works and lives.

x

x

414kKQAFasL._SY344_BO1,204,203,200_

The Life of Charlotte Brontë by Elizabeth Gaskell

This was the book that started the Brontë myth and crystallized it for many years. Gaskell was a friend of Charlotte Brontë and, for better or worst, it shows. Even if you know little about Charlotte, it’s obvious this is a very romanticized and sanitized version of her life. Gaskell was very keen to keep up Charlotte’s domestic-goddess image – fascinating stuff to read from a 21st century perspective.

I’ve had really geeky conversations with other Brontë aficionados on the best order to read the first three books on this list. The Brontës was the last to be written and it’s a great intro to the family. It talks about how both The Myth and The Life fit the narrative. The Myth describes in detail how The Life impacts how we perceive the Brontës even today. It’s really interesting to read The Life after The Brontës and The Myth, but it would probably be a very different experience if read first.

107973The Infernal World of Branwell Brontë by Daphne du Maurier

Oh Branwell, golden child, the unfulfilled promise, the most tragic element of a tragic family. This is Branwell’s biography and a great example of du Maurier’s non-fiction skills. From what I’ve gathered, she saw this book as an opportunity to prove herself beyond her “popular literature”.

Confession: I didn’t know this book even existed until I won it in a raffle at the last Brussels Brontë Society Xmas Lunch.

x

x

51RudzNVRzL._SY344_BO1,204,203,200_

The Brontës Went to Woolworths by Rachel Ferguson

A novel for a bit of change. The Brontës Went to Woolworths is about three sisters that share an imaginary world that threatens to become more real than reality. And it actually does, because after a table-turning session, the Brontë sisters come knocking on their door.

It’s such a witty and fun book and unlike The Eyre Affair (don’t get me started on that one, a pet hate of mine), the Brontës act as I’d expect them to. It’s one of those forgotten diamonds that deserve more limelight. How come it’s not a Persephone?

Any other recommendations?

20604350I was a fan of Alan Cumming even before he become a household name with The Good Wife, but this memoir make me respect him even more a person and an artist.

If it was a physical book, it’d be a page turner, but I’m almost sure it’s even better in audio. He narrates this himself and just how good he was didn’t surprise me – I’d already listed him as a favorite narrator after listening to the Leviathan series.

Don’t expect Not My Father’s Son to be lighthearted. It does have its hilarious moments (his ode to Eurovision was perfection), but mostly it’s about growing up with a physically and emotionally abusive father. Half of the book is about his childhood and the other half about him dealing with his past as an adult. This last part of the story is divided between an episode portraying his father’s ability to still disrupt his family and the other follows Cumming’s cathartic participation in the Who Do You Think You Are show. I don’t usually watching it, but by chance caught his episode when it first aired on the BBC and clearly remember how emotional it was (see it here, have the Kleenexes handy).

Some scenes were really hard to hear and made me hug my son extra hard. They weren’t overly dramatized, but the child’s voice was clearly there, all frightened and confused. Not My Father’s Son was really a roller-coaster ride of emotions we take along with Cumming. It’s impossible not to share his joy, amazement, pain, hope. This not only testifies to his writing and narration skills, but also his willingness to be open and genuine.

If Not My Father’s Son was a piece of fiction it would probably end with redemption or vindication. But it’s real life and I must be satisfied with admiration for human courage and our capacity to overcome adversity and make it a strength.

***

Other thoughts: Books in the City, That’s What She Read, Boston Bibliophile, A Musing Reviews, Bookfolery, bookchickdiScuffed Slippers and wormy books (yours?)

Anything I should pay special attention to? Anything I should put on the back-burner?

(1/102/10, 3/10, 4/10)

IMG_5942

La fièvre d’Urbicande (Les Cités obscures, 2) by François Schuiten and Benoît Peeters

Les Cités obscures or Cities of the Fantastic is one of my favorite comics series. I’ve spoken about them before and I’m looking forward to the day they’ll finally explode in the Anglo-Saxon literary world.

Each City in this universe has a distinct architectural style that influences and is influenced by its political structure, life-style and even in the way people dress. Urbicand is a city of massive structures that evokes the Futurist architects popular in the early 20th century. Buildings are huge and the few inhabitants seem insignificant is comparison.

urbicande 2

We follow Eugen Robick, a urbatect (architect who designs entire cities) who is obsessively pursuing permission from Urbicande’s austere government to build a bridge. Without it, there’s an unbalance in the symmetry of his ambitious plans for the city.

Off-scene, some friends sent Robick a small, mysterious black cube built from an unknown material. Shortly after, he notices the cube is slowing multiplying and expanding. It continues to do so over the next months, passing through everything without damaging it and expanding to a point where it becomes a network that facilitates communication between different areas of Urbincande, areas that until that point had been mostly isolated.

Picture1

In the style of many Franco-Belgian comics, La fièvre d’Urbicande is a surrealist story with lots of food for thought. I especially appreciated the way architecture/aesthetics and politics mix and reflect each other. There is something inhuman about Urbicand, a city seemingly not designed with the human scale in mind. It reminded me of the plans by Nazi architect Albert Speer.

It’s a complex book, unapologetically intellectual, and really rewarding to read.

L’archiviste (Cities of the Fantastic spin-off) by François Schuiten and Benoît Peeters

The Archivist is almost like a coffee-table book. There’s a story, but it’s clearly meant to be eye candy.

Isidore Louis is an archivist that is given the task of debunking the myth of the Cités obscures. Each page includes one of the visual materials he’s unearthed and with each page we also see him slowly becoming convinced of the Cities’ existence.

There are also a wonderful connections with Jorge Luis Borges. Because of spoilers I can’t say much about the main one, but the story is very similar to Borges’ Tlön, Uqbar, Orbis Tertius.

I want to cover a wall just with posters from L’archiviste.

archiviste2

archivist

Rat Queens Vol. 1: Sass and Sorcery by Wiebe & Upchurch

Even if I’d been immune to all the rave, Rat Queens would still have had me at this synopsis: “Who are the Rat Queens? A pack of booze-guzzling, death-dealing battle maidens-for-hire, and they’re in the business of killing all gods’ creatures for profit.

The plot is not ground-breaking and doesn’t deviate from the typical story about a group of coarse, bad-ass, bad-mouth, swashbuckling, bordering-on-mad mercenaries. Actually, I suspect the whole thing is a spoof of role-playing games that’s not taking itself too seriously.

Unlike unlike plot, character development is taken seriously and in this volume we’re already presented with interesting backstories that made me want to know more. Just the fact the mercenaries are all women (and such a diverse group is so many aspects!) gives Rat Queens extraordinary freshness. It’s impossible not to have a favourite but right I’m still divided between Dee and Violet.

rat queens

Chew, Vol. 2: International Flavor by John Layman, Rob Guillory

Another outrageous plot and I loved every minute of it. Not much more to say.

FEB100354_3

21853633The most amazing thing about SAA is she has a formula, but I cannot get enough of it. What dark magic is this?! They’re the closer thing I have to a guilty reading pleasure.

First Frost is a return to the Waverly family we first meet in Allen’s most popular book, Garden Spells. All the women in the family have a gift and their house and garden literally have a life of their own. This subtle use of magical realism is a trade mark of Allen’s wonderful books, as well as an irresistible Southern charm.

First Frost starts about 10 years after Garden Spells and we find Claire has put aside her catering business and is now a full-time producer of hard-candy. Sydney’s magical hair salon is thriving, and Evanelle is still giving people just what they’ll eventually need. The main character thought, is Sydney’s daughter Bay, who has the gift of knowing where things belong (which we learn can also be a curse!). There’s also a side-story about a stranger that walks into town without the best of intentions.

Reasons why it’s a solid 4-star: Bay is great. She’s a misfit, but a confident one, proud of her heritage. I also really liked the theme of “what makes a family” that pops up at different moments (Sydney and Violet’s baby, Evanelle and Fred, the Waverleys and their husbands, the question of wether you’re a true Waverley if you’re not gifted).

Reasons why it’s not a 5-star: I could have done with more Bay and less mysterious stranger and the book should be longer!

Comment about a spoiler [so far the Waverley had relatively domestic gifts. But now Claire’s daughter can see and communicate with dead people? That feels a bit beyond the cozy feeling of Allen’s stories.]

Are you a fan of Saran Addison Allen? What’s your favorite? I’m split between Garden Spells and The Sugar Queen.

***

Other thoughts: Lessa’s Book Critiques, The Bluestocking Society, Annette’s Book Spot, Stacy’s Books, Capricious Reader, Booke’d Out, Workaday Reads, The Eclectic Reader, Always With a Book, Ex Libris (yours?)

BRRead for Book Riot’s Read Harder Challenge:
A book that you would consider a guilty pleasure.

Atticus force

Read for nomadreader’s Read-along. Didn’t do much “along”, but at least managed the reading part!

I first read To Kill a Mockingbird almost 10 years ago, on pre-blogging times. I remember turning to my then boyfriend and say “This is a perfect book.” I was completely awed by it.

I know there’s not a lot I can say that hasn’t been said a thousand times before, so just some quick thoughts for posterity:

This time around it didn’t feel as flawless, but I found new depths. It especially struck me how the idea of empathy (or perhaps of empathy as a way to critical thinking?) is so omnipresent.

The book starts with Atticus telling Scout “You never really understand a person until you consider things from his point of view (…) until you climb in his skin and walk around in it.” and ends with Scout really internalizing this idea, as she looks out on Maycomb from Boo Radley’s house:

“Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them. Just standing on the Radley porch was enough.”

And in between those two moments hard lessons need to be learned (so hard that many adults in Scout’s life never get there) and beliefs challenged. Atticus demands this empathy from his kids and Lee demands it from us for every single character, from Dill and his mysterious life in Mobile to Mayella’s pretty flowers, from Dolphus Raymond’s Coca-Cola to Maycomb in general, that apparently throws Atticus under the bus. It’s brilliant how we’re brought along Scout’s journey and at the same time are challenged ourselves. For instance, I was ready to completely dislike Miss Caroline and nasty Mrs. Dubose, no clemency.

Growing up is hard, and race and class are some of the hardest things to deal with. I continue to be awed by the way Lee shows us Scout’s mind opening up and struggle against both the status quo and any challenges to it. Reminds me of the time when I began to travel and read more widely and started questioning the glorious Portuguese history I’d learned since early childhood.

Favorite characters the first time around: Atticus and Calpurnia. Favorite characters now: Calpurnia and Miss Maudie. Miss Maudie is amazing and I hope to see a lot more of her on the upcoming Go Set a Watchman.

Follow

Get every new post delivered to your Inbox.

Join 282 other followers